André-Antoine Ravrio (1759–1814) was a distinguished French bronzier, sculptor, and poet, celebrated for his exceptional contributions to the decorative arts during the late 18th and early 19th centuries. Born in Paris in 1759 into a family with a rich tradition in bronze casting dating back to 1661, Ravrio honed his skills under the guidance of his father, André Ravrio. His maternal lineage further connected him to the esteemed Riesener family, renowned for their craftsmanship in fine furniture.
In 1777, Ravrio achieved the status of maître fondeur (master founder), and by 1790, he had established his own workshop in Paris. His atelier quickly gained acclaim for producing exquisite gilt and patinated bronze works, including clocks, candelabra, and decorative sculptures. Ravrio’s creations were characterized by their neoclassical elegance, intricate detailing, and harmonious proportions, aligning with the prevailing artistic tastes of the Empire period.
Ravrio’s reputation attracted a prestigious clientele, notably including Emperor Napoleon I and members of the imperial court. He collaborated with prominent artisans of the time, such as Pierre-Philippe Thomire and Claude Galle, contributing to the opulent furnishings of imperial residences such as Fontainebleau, the Tuileries, Saint-Cloud, Compiègne and Versailles. His works often featured allegorical and mythological themes, exemplifying the grandeur and refinement of the era.
Beyond his artistic endeavors, Ravrio was an active participant in Parisian literary and musical circles. He was a member of the Société de la Goguette, a convivial society of poets and musicians, where he collaborated with figures like François-Joseph Talma and Carle Vernet. Ravrio composed numerous poems, songs, and vaudevilles, including the notable “La Rue des Bons-Enfants” (1805), reflecting the spirited culture of his time.
Demonstrating a commitment to social responsibility, Ravrio established a prize of 3,000 francs to encourage the development of safer gilding techniques, aiming to mitigate the health hazards associated with mercury use in metal gilding. This initiative underscored his dedication to the welfare of artisans in his profession.
Ravrio’s legacy endures through his masterful works, which are preserved in esteemed institutions such as the Mobilier National in Paris and the Musée Masséna in Nice. His contributions to both the decorative arts and cultural life of France remain a testament to his multifaceted talents and enduring influence.
Explore our collection of Empire mantel clocks , Empire candelabra and candlesticks and other decorative art objects by André-Antoine Ravrio and his contemporaries in our gallery.